seawasp: (Arrival HKF)
[personal profile] seawasp
In this day and age, if you spend lots of money and reasearch work to produce a fancy several-hour TV special with tons of special effects, why would you NOT sell the DVD?

There's several things in that category, but the one that perhaps puzzles me the MOST is National Geographic's "Extraterrestrial" special. I find it incomprehensible that they haven't yet released this quite interesting speculative special on DVD. It would seem to be a no-brainer -- make special, sell DVDs. The longer you wait, the LESS you sell, in general.

Date: 2006-12-24 02:27 pm (UTC)
ext_58972: Mad! (Default)
From: [identity profile] autopope.livejournal.com
In two words: "copyright clearance."

Re: Unpack that?

Date: 2006-12-24 04:03 pm (UTC)
ext_58972: Mad! (Default)
From: [identity profile] autopope.livejournal.com
Did National Geographic send a cameraman to the moon? If so, who do you think filmed those lunar landings?

(This sort of thing hit the Hitler^WHistory Channel -- it's why most of their documentaries stop after about 1945 -- pre-war, there's a lot of out of copyright footage, and during the war all that Nazi stuff was explicitly ejected from copyright, but post-war, folks remember shooting those reels and they want their royalties, please. And they often have insanely inflated ideas of what a given piece of footage is worth.)

Re: Unpack that?

Date: 2006-12-24 08:53 pm (UTC)
From: [identity profile] k-kinnison.livejournal.com
I think that most people who do work for "National Geographic" are doing it mainly because NG focuses on Education and Research and not profit. A lot of the money that goes into its programs are from Grants and donations. msot of the grants coudl easily have a "not for profit" clause in them which prevents the mass merchendising of its programs.

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